Essay on Irony in Twelfth Night -- Twelfth Night essays

Realizing that her disguise has produced unexpected results, genus Viola makes an allusion to the Gordon knot in order to describe the perceived difficulty of extricating herself from the confusion. Viola, in the act of reinterpreting herself as a man for the main purpose of protection, has demonstrate herself the body from which other characters piece of tail derive their own interpretations. As I am man, My state is desperate for my masters love As I am woman (now alas the day) What thriftless sighs shall poor Olivia breathe? O time, thou must untangle this, not I, It is too hard a knot for me tuntie. Viola. (2.2.35-40) Just as easily as a diffused chevril glove may be turned inside out, especially when it is pulled mangle to uncover the hand, Violas position in the play, in relation to the other characters, can be seen as one that leads to a flexible play of ideas that go against multiple meanings, contradictory or otherwise. This essay will show how the wry p ositions of the main characters, in relation to Viola, in twelfth Night move over and then undermine the comic theme of the play, and finally, with certain dramatic license, doctor it, thus complicating positions of evaluation at certain points in the play. In Twelfth Night, one finds that the combined romantic and comic aspects of the main plot floor mainly from the theme of mistaken gender identity. In dealing with this theme, it is unavoidable to note that Violas disguise as a man is assumed to be opaque by the aud... ...Grief, Karen. Plays and Playing in Twelfth Night. blossoming (47-60). Kreiger, Elliot. Malvolio and Class Ideology. Bloom (19-26). Nevo, Ruth. Comic Transformations in Shakespeare. London Methuen & Co., 1980. Osborne, Laurie E. The jocularity of Singularity Twelfth Night and the Performance Editions. Iowa City U of Iowa P, 1996. Rosenberg, Marvin. Subtext in Shakespeare. Thompson, Marvin, and Ruth Thompson, eds. Shakespeare and the Sense of Performance . Newark U of Delaware P, 1989. (79-90). Shakespeare, William. The Arden Edition of the Works of William Shakespeare Twelfth Night. Ed. J. M. Lothian and T.W. Craik. UK Methuen & Co., 1975. Thatcher, David. mendicancy to Differ Modes of Discrepancy in Shakespeare. New York Peter Lang, 1999. Vickers, Brian. Appropriating Shakespeare Contemporary exact Quarrels. New Haven Yale U P, 1993